Essay on Hitchcock Deserves His Status as an Auteur

Hitchcock Deserves His Status as an Auteur Alfred Joseph Hitchcock was born August 13, 1899, Leytonstone, England, and died in 1980 in Los Angeles, USA, of liver and heart problems. He went to Ignatius College in London, to the School of Engineering and Navigation, and then to the University of London. He started his film career in 1919 illustrating title cards for silent films at Paramount s Famous Players-Laskey Studio in London. There he learned scripting, editing and art direction and rose to assistant director in 1922. By 1925, he had directed his first finished film, The Pleasure Garden shot in Munich. His breakthrough film, The Lodger, came a year later. Alfred Hitchcock directed over†¦show more content†¦The film begins with Marion, who steals $40,000 so she can afford to get married. She drives from the city to her lover and, on the way, stops at the Bates Motel where she meets the owner, Norman, a very nervous but friendly young man. After hearing over tea with Norman about his relationship with his mot her, Marion retreats to her room where she has a shower before bed. While in the shower she is brutally murdered by what seems to be Normans mother. Later, when a private investigator goes looking for Marion, he is also horrifically murdered by the mother and only when Marions sister, Leila, accompanied by Marions lover, Sam, comes looking for her do we discover that the mother is actually Norman. He had been dressing up as his mother since killing her, along with her second husband, many years earlier. The Parlour Scene ================= A key scene in Psycho is the parlour scene. Nothing horrible happens in this scene but it provides the audience with clues that something is not quite right. In particular, it begins to reveal the darker side of Normans personality and his pathological obsession with his mother. Hitchcock uses camera work, lighting and mise en scene, particularly birds, to create a sense of menace. The sceneShow MoreRelatedScorsese1744 Words   |  7 PagesUse a range of auteur theories to examine the work of two significant directors you have studied on this module. One director should have produced the majority of their work prior to 1960 and the other should have produced it from the 1970s onwards. Discuss the origins and main developments of auteur theory then examine the works of Howard Hawks and Martin Scorsese with relevance to their status as auteur directors. In having their films examined as auteurs of the cinema, both Howard HawksRead More Auteur Theory: Howard Hawks and Martin Scorsese Essay examples1722 Words   |  7 PagesUse a range of auteur theories to examine the work of two significant directors you have studied on this module. One director should have produced the majority of their work prior to 1960 and the other should have produced it from the 1970s onwards. Discuss the origins and main developments of auteur theory then examine the works of Howard Hawks and Martin Scorsese with relevance to their status as auteur directors. In having their films examined as auteurs of the cinema, both Howard HawksRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagestranslated into English or only approximately translated, few semantic and stylistic improvements are needed and the translation does justice to Metz s text. In some instances, usage did not adopt Michael Taylor s solution. The most glaring example of his innovative translation is the word significate now usually translated by signified (signifià © in French)—which is used throughout the text. Langue and parole have increasingly been translated by language and speech, although this is not an ideal